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Percy Gray
1869-1952 was an American painter. Gray was born into a San Francisco family endowed with a broad literary and artistic background. He studied under Arthur Frank Mathews at the San Francisco School of Design and later under William Merritt Chase. While he had some early Impressionistic tendencies, his primary expression was under the Tonalism Mathews had brought back from Paris. He is known for his extraction of beauty from the Northern California landscape. Alexander Gray, Percy's father, was born in England, but found his way to a successful insurance business in San Francisco. As the byproduct of a childhood illness, Percy realized he had talents in art. From 1886 to 1888 he attended the California School of Design, then led by Mathews. From there he went on to become a newspaper illustrator, obtaining a job with the New York Journal. In New York he also studied at the Art Students League. He was dispatched from New York to cover the 1906 San Francisco earthquake, but decided to remain in his native city where he would then take up his painting career. Gray's first pieces, headland seascapes, were exhibited in 1907; soon thereafter he addressed in watercolor eucalyptus groves and fields of California wildflowers. These subjects would become signatures of his work. Originally Gray's works were oils; however, he eventually developed an allergy to oil paints, and therefore switched to using watercolors as his primary medium. [1] From early on the critics marvelled at his ability to infuse realistic depictions of nature with a mystical and poetic quality. He was clearly applying the precepts of his mentor William Merritt Chase in exaggeration of light and color. From 1912 to 1923 Gray lived in Burlingame, California about twenty miles south of San Francisco, while keeping his studio in the city itself. At the 1915 Panama-Pacific International Exposition he won a bronze medal for his watercolor Out of the Desert, Oregon. Having been a bachelor for 53 years, Gray surprised his friends by marrying. He and his bride moved to the Bonificio Adobe in Monterey, where seascapes and cypress dominated his later works.

 

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Percy Gray The Carmel Mission (mk42) oil painting

Painting ID::  25635

X 
 

Percy Gray
The Carmel Mission (mk42)
c 1884 Watercolor 8'' x 12''
   
   
     

 

 

Percy Gray The Golden Gate Viewed from San Francisco (mk42) oil painting

Painting ID::  25636

X 
 

Percy Gray
The Golden Gate Viewed from San Francisco (mk42)
c 1885 Oil on art board 6 1/8'' x 18 5/8 ''
   
   
     

 

 

Percy Gray Mt Tamalpais (mk42) oil painting

Painting ID::  25637

X 
 

Percy Gray
Mt Tamalpais (mk42)
1887 Oil on canvas 8'' x 16''
   
   
     

 

 

Percy Gray Cows in a Redwood Glade (mk42) oil painting

Painting ID::  25639

X 
 

Percy Gray
Cows in a Redwood Glade (mk42)
1894 Watercolor 15'' x 8''
   
   
     

 

 

Percy Gray The Artist's Dog (mk42) oil painting

Painting ID::  25641

X 
 

Percy Gray
The Artist's Dog (mk42)
Oil on art board 14'' in diameter
   
   
     

 

 

Percy Gray Mandaro Posing as a Plainsman (mk42) oil painting

Painting ID::  25642

X 
 

Percy Gray
Mandaro Posing as a Plainsman (mk42)
1901 Ink drawing 16'' x 10''
   
   
     

 

 

Percy Gray Young Oarsman (mk42) oil painting

Painting ID::  25644

X 
 

Percy Gray
Young Oarsman (mk42)
Gouache 14'' x 9''
   
   
     

 

 

Percy Gray Medicine Crow (mk42) oil painting

Painting ID::  25646

X 
 

Percy Gray
Medicine Crow (mk42)
Watercolor 15'' x 8''
   
   
     

 

 

Percy Gray Indian Maiden (mk42) oil painting

Painting ID::  25647

X 
 

Percy Gray
Indian Maiden (mk42)
Watercolor 13 7/8'' x 9''
   
   
     

 

 

Percy Gray Iron Tail (mk42) oil painting

Painting ID::  25650

X 
 

Percy Gray
Iron Tail (mk42)
Watercolor 12'' x 9''
   
   
     

 

 

Percy Gray White Swan (mk42) oil painting

Painting ID::  25651

X 
 

Percy Gray
White Swan (mk42)
Watercolor 16 x 8''
   
   
     

 

 

Percy Gray San Francisco Bay from the Alameda Hills (mk42) oil painting

Painting ID::  25654

X 
 

Percy Gray
San Francisco Bay from the Alameda Hills (mk42)
1907 Watercolor 12'' 14''
   
   
     

 

 

Percy Gray Trees on a Hillside (mk42) oil painting

Painting ID::  25655

X 
 

Percy Gray
Trees on a Hillside (mk42)
1909 Watercolor 13'' x 11''
   
   
     

 

 

Percy Gray Early Meadow Landscape (mk42) oil painting

Painting ID::  25657

X 
 

Percy Gray
Early Meadow Landscape (mk42)
Watercolor 10 1/2'' x 13 1/2''
   
   
     

 

 

Percy Gray The Gypsy Girl (mk42) oil painting

Painting ID::  25659

X 
 

Percy Gray
The Gypsy Girl (mk42)
Oil on canvas 21 1/4'' x 14 1/2''
   
   
     

 

 

Percy Gray The Artist's Niece Katherine Murch Whitton (mk42) oil painting

Painting ID::  25661

X 
 

Percy Gray
The Artist's Niece Katherine Murch Whitton (mk42)
Graphite and Watercolor on paper 22'' x 15''
   
   
     

 

 

Percy Gray Phoebe Apperson Hearst (mk42) oil painting

Painting ID::  25663

X 
 

Percy Gray
Phoebe Apperson Hearst (mk42)
1908 Graphite on paper 19'' x 13''
   
   
     

 

 

Percy Gray Entrance to the Golden Gate (mk42) oil painting

Painting ID::  25666

X 
 

Percy Gray
Entrance to the Golden Gate (mk42)
Watercolor 16'' x 20
   
   
     

 

 

Percy Gray Still Life with Copper Plate and Vegetables (mk42) oil painting

Painting ID::  25667

X 
 

Percy Gray
Still Life with Copper Plate and Vegetables (mk42)
1911 Oil on canvas 14'' x 16''
   
   
     

 

 

Percy Gray San Mateo Oaks (mk42) oil painting

Painting ID::  25668

X 
 

Percy Gray
San Mateo Oaks (mk42)
Graphite on paper board 9'' x 12''
   
   
     

 

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Percy Gray
1869-1952 was an American painter. Gray was born into a San Francisco family endowed with a broad literary and artistic background. He studied under Arthur Frank Mathews at the San Francisco School of Design and later under William Merritt Chase. While he had some early Impressionistic tendencies, his primary expression was under the Tonalism Mathews had brought back from Paris. He is known for his extraction of beauty from the Northern California landscape. Alexander Gray, Percy's father, was born in England, but found his way to a successful insurance business in San Francisco. As the byproduct of a childhood illness, Percy realized he had talents in art. From 1886 to 1888 he attended the California School of Design, then led by Mathews. From there he went on to become a newspaper illustrator, obtaining a job with the New York Journal. In New York he also studied at the Art Students League. He was dispatched from New York to cover the 1906 San Francisco earthquake, but decided to remain in his native city where he would then take up his painting career. Gray's first pieces, headland seascapes, were exhibited in 1907; soon thereafter he addressed in watercolor eucalyptus groves and fields of California wildflowers. These subjects would become signatures of his work. Originally Gray's works were oils; however, he eventually developed an allergy to oil paints, and therefore switched to using watercolors as his primary medium. [1] From early on the critics marvelled at his ability to infuse realistic depictions of nature with a mystical and poetic quality. He was clearly applying the precepts of his mentor William Merritt Chase in exaggeration of light and color. From 1912 to 1923 Gray lived in Burlingame, California about twenty miles south of San Francisco, while keeping his studio in the city itself. At the 1915 Panama-Pacific International Exposition he won a bronze medal for his watercolor Out of the Desert, Oregon. Having been a bachelor for 53 years, Gray surprised his friends by marrying. He and his bride moved to the Bonificio Adobe in Monterey, where seascapes and cypress dominated his later works.